A History of European Puppetry: Volume Two: the Twentieth Century
JURKOWSKI, Henryk
1996
Autor(es): JURKOWSKI, Henryk
Título: A History of European Puppetry: Volume Two: the Twentieth Century
Publicação: New York: Ontario: Wales: The Edwin Press Ltd, 1996
ISBN: 0 7734 8322 5 [v. 2]
Assunto(s):
JURKOWSKI, Henryk (1927-2016)
Teatro de Marionetas -- História -- Europa -- Século XIX
Marionetas -- História -- Europa -- Século XIX
Marionetistas
Índice | Table of Contents | Table des Matières
Contents
I. Introduction – 1
The Cabarets – 4
An alliance with poets – 5
Puppets in the dramatic theatre – 13
Modernist puppets in Russia – 19
In search of the ideal actor – 34
Puppets and the Avant Garde – 28
II. Essential Values – 74
Paul Brann and the European revival – 76
Jugendstil in puppetry – 88
Tradition ennobled – 93
The Podrecca phenomenon – 93
Sculpture in motion – 102
Scholars and theories – 113
The first dent in the theory – 117
III. Support and Oppression – 125
Social care – 125
In the service of ideology – 139
Under Fascist control – 154
An art form for all seasons – 172
At the front and behind the wire – 173
IV. Inheritance Old and New – 193
Tradition alive – 193
A resumption of activity Skupa – 218
Podrecca – 222
Obraztsov – 225
V. New Languages – 245
Cabaret and the soloist – 245
Social realism – 258
A messenger of ideology – 261
Social realism in practice – 263
Folkklore: the way to national identity – 275
Enriching theatre – 278
Revolt in the lion’s den – 283
VI. Catching up with Modern Art – 292
Polish innovation – 294
New Romanian concepts – 303
Bulgarian invention – 307
Hungarian Modernism – 310
Polish analogy – 313
Bohemia: breaking with realism – 314
The aesthetics of DRAK – 317
A new generation in the Soviet Union – 322
The brechtian inheritance in East Germany – 328
The break with classicism – 332
German literary experience – 342
Paralysed by tradition – 344
Swiss humanism – 347
Engagement announced – 354
Austrian radicalism – 360
British professionalism – 362
Fine artists enter the arena – 366
VII. A United Landscape – 377
Infrastructure – 377
Poland: political and moral satire – 382
Power and aesthetics – 387
DRAK at the crossroads – 391
Romanian developments – 400
Russian updating – 401
Soviet Republics as free countries – 406
Germany, divided and unified – 411
Switzerland, Austria: stirring of the neutrals – 427
Dutch puppetry and its alternatives – 433
Scandinavian input – 435
French experience – 441
Theatre in South Slavonia – 443
The Spanish renaissance – 447
VIII. Favoured Genres – 458
Actors on puppet territory – 458
Inspiration from the Fine Arts – 460
The shadow theatre – 468
Puppet Opera reconstructed – 472
Philippe Genty – 474
Object theatre – 477
Italian tradition – fine art and object theatre – 484
Conclusion – 492
Bibliography – 496
Index – 508
Autor(es): JURKOWSKI, Henryk
Título: A History of European Puppetry: Volume Two: the Twentieth Century
Publicação: New York: Ontario: Wales: The Edwin Press Ltd, 1996
ISBN: 0 7734 8322 5 [v. 2]
Assunto(s):
JURKOWSKI, Henryk (1927-2016)
Teatro de Marionetas -- História -- Europa -- Século XIX
Marionetas -- História -- Europa -- Século XIX
Marionetistas
Índice | Table of Contents | Table des Matières
Contents
I. Introduction – 1
The Cabarets – 4
An alliance with poets – 5
Puppets in the dramatic theatre – 13
Modernist puppets in Russia – 19
In search of the ideal actor – 34
Puppets and the Avant Garde – 28
II. Essential Values – 74
Paul Brann and the European revival – 76
Jugendstil in puppetry – 88
Tradition ennobled – 93
The Podrecca phenomenon – 93
Sculpture in motion – 102
Scholars and theories – 113
The first dent in the theory – 117
III. Support and Oppression – 125
Social care – 125
In the service of ideology – 139
Under Fascist control – 154
An art form for all seasons – 172
At the front and behind the wire – 173
IV. Inheritance Old and New – 193
Tradition alive – 193
A resumption of activity Skupa – 218
Podrecca – 222
Obraztsov – 225
V. New Languages – 245
Cabaret and the soloist – 245
Social realism – 258
A messenger of ideology – 261
Social realism in practice – 263
Folkklore: the way to national identity – 275
Enriching theatre – 278
Revolt in the lion’s den – 283
VI. Catching up with Modern Art – 292
Polish innovation – 294
New Romanian concepts – 303
Bulgarian invention – 307
Hungarian Modernism – 310
Polish analogy – 313
Bohemia: breaking with realism – 314
The aesthetics of DRAK – 317
A new generation in the Soviet Union – 322
The brechtian inheritance in East Germany – 328
The break with classicism – 332
German literary experience – 342
Paralysed by tradition – 344
Swiss humanism – 347
Engagement announced – 354
Austrian radicalism – 360
British professionalism – 362
Fine artists enter the arena – 366
VII. A United Landscape – 377
Infrastructure – 377
Poland: political and moral satire – 382
Power and aesthetics – 387
DRAK at the crossroads – 391
Romanian developments – 400
Russian updating – 401
Soviet Republics as free countries – 406
Germany, divided and unified – 411
Switzerland, Austria: stirring of the neutrals – 427
Dutch puppetry and its alternatives – 433
Scandinavian input – 435
French experience – 441
Theatre in South Slavonia – 443
The Spanish renaissance – 447
VIII. Favoured Genres – 458
Actors on puppet territory – 458
Inspiration from the Fine Arts – 460
The shadow theatre – 468
Puppet Opera reconstructed – 472
Philippe Genty – 474
Object theatre – 477
Italian tradition – fine art and object theatre – 484
Conclusion – 492
Bibliography – 496
Index – 508